Tamron AF 24-70mm f/2.8 SP Di USD VC Hmm, concerning the bodies, I like the Nikon Z 'system' much more up to now, but lens-wise I'm most impressed with the Canon 28-70/2, which must be the best standard zoom ever built. The Nikon Z S lens are frankly world class solid performers and great field lens. Best wishes. @MarksphotoBro, your all over the place... Can you find any lens that has better or equal performance at the same or lower price than this Nikon? Tamron AF 18-250mm f/3.5-6.3 Di II LD Asph. In fact I bet the 14-30 becomes a hugely popular lens for the system and one that garners many accolades. I mean the optics would pretty much be similar and it just needs that extension tube to match the mount. 62000. Photozone.de reviewed this lens and gave it between 3 and 3.5 stars for optical quality, and 4 stars for price/performance. @david bo, why would Golan joke about living in Israel? @uncoyDP... “This period in history will be remembered as the idiot period where camera companies made over 1kg fixed primes (Sigma Art) and idiots (us) bought them.”. It delivers great image quality in a walk around camera, and also includes a new film simulation: Nostalgic neg. It depends on what you're shooting and what your standards are. The update doesn't have a release timeframe, but Atomos and Sony are working together to add 12-bit ProRes RAW recording to the Ninja V monitor/recorder when used with the FX3 Cinema Line camera. Voigtlander Color Skopar 20mm f/3.5 SL II Asph. Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. Insta360 today launched GO 2, its new tiny action camera. And since mirrorless lenses are likely to represent the majority of new lenses released every year, we had to go down a different route. Unusually hard, in fact. DPR readers certainly take its website content seriously. This test says quote "It shouldn't have made that list. 62000. No, that is not the conclusion. What’s the best camera costing over $2500? We're working hard to finish our full review of the new Sony a1, and we've just added our studio image quality analysis. Jan 25, 2019 permalink. Autofocus and all. I really hope Nikon will make a compromised version alongside this one on 50mm.Less sharp, less bright but also smaller in price and size!This is great though! In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck. This lens is for a different market. Nikon says its professional mirrorless camera will use a Stacked CMOS sensor. A lot of positive reinforcement from the comments section on DPR doing more lens reviews. POWER O.I.S. Photozone Reviews Tamron 70-200 2.8 HOT! Watch the exhilarating 'Right Up Our Alley' video featuring FPV footage of Bryant Lake Bowl & Theater in Minneapolis, Minnesota. And to say the Z 50mm is too big and expensive for mirrorless is just you presenting your personal preference as fact because it's pretty clear that larger mirrorless cameras and lenses are selling very well. @ SidneyVision,More like an army of fanatical boot lickers. it's about time for Fuji to upgrade the lens AF drive for this lens. Look at the specifications and schematics. They're different lenses with different purposes. Sometimes macro lenses are great at close range but start to struggle after that. Very nice lens. They know who their marks are (us) and they are going straight for our wallets. So optically, it's OK, not stellar. just look at those photos. We'll see what the bokeh on the 50/1.8S looks like at a later time. [IF] macro And nailing focus manually is really difficult and slow as the lens drifts back and forth via some kind of weird software inertia. 62000. Panasonic Leica DG Summilux 25mm f/1.4 ASPH, Panasonic Lumix G 30mm f/2.8 ASPH Mega OIS macro, Panasonic Lumix G 42.5mm f/1.7 ASPH Power OIS, Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH, Panasonic Lumix G Vario 12-32mm f/3.5-5.6 ASPH MEGA OIS, Panasonic Lumix G X Vario 12-35mm f/2.8 ASPH POWER OIS, Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH Power OIS, Panasonic Lumix G 12-60mm f/3.5-5.6 ASPH Power OIS, Panasonic Lumix G 14-42mm f/3.5-5.6 ASPH OIS II, Panasonic Lumix G X Vario PZ 14-42mm f/3.5-5.6 POWER OIS, Panasonic Lumix G X 35-100mm f/2.8 Power OIS, Olympus M.Zuiko 40-150mm f/4-5.6 ED R MSC, Leica DG Vario-Elmarit 50-200mm f/2.8-4 ASPH Power OIS, Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH Power OIS, Fujinon XF 18-135mm f/3.5-5.6 R LM OIS WR, Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR, Samsung NX 60mm f/2.8 ED Macro SSA OIS iFn. I had the chance to try it at a trade show and 70mm @ f/2 is an awesome portrait combo. true. Tokina AF 300mm f/4 AT-X The fans are out in force to support anything Nikon does I see. And it could conceivably replace a bunch of primes in that range off setting the price. BUT since I have 24-70 4S and 50 1.4g, do I need it? HOT! phenomenal. there are a bunch of happy user posts about sigma lenses with the mc-11, using xlnt af-c at up to 14-15fps, which can't be done with any z-mount camera. Also the flange back distance of F-Mount -16 mm are now in the lens instead of the camera. He didn't say great bokeh.. he said great boken and in my experience the 50 f1.8 S delivers better boken than any lens I've used before! 600 dollars for a nifty fifty, I know new systems are expensive to develop but this is starting to feel ridiculous, to me. We look at why this one statement holds so much promise for the camera's performance. The new ECM-W2BT is a wireless microphone transmitter and receiver that makes it possible to record audio directly in-camera without the need for external cables. Except that the Nikon performs better. It is all relative. I love the way Canon mirrorless lenses look (but I don't like any of their cameras). At the very least both LoCA and price are tangible differences in favor of the Nikon lens and you don't have to be at 200-300% to see that. But I didn‘t claim that the CA is irrelevant, just that it is visible only in certain situations, and that there are other lens characteristics that are dominant IMHO. Well not so much better. Why can't one compare those two? This is one of the sharpest lens Nikon has ever been able to produce: 37pMP DXO, way sharper than the 105mm f/1.4. Fouche loves building relationships with people, and it's inspiring to listen to him speak about his photography. "I thought the 200mm f2 ruled portrait photography on the nikons" First of all, it's way too sharp to be useful for portraits. Read our review to find out how it performs. 55 great except for green/purple fringing i get in backlit trees. There has been very little buzz on that lens even on the mounts for which it is intended. Sigma Art could be useful on Fujifilm's GFX platform. Does BS come naturally to you? With all due respect, you really don't know that. All content, design, and layout are Copyright © 1998 - 2021 Digital Photography Review All Rights Reserved. Ah, right: a review for the other 50 mm...: https://www.dpreview.com/products/canon/lenses/canon_rf_50_1p2l_usm. Would like to see more background examples, although flickr can be good for that. You can keep the Nikon, I will stand by Sony , @David Boby all means, stand by Sony, as long as you understand that it is an inferior product.As is seen in Jim Kasson's side by side test of the Sony vs. the Zeiss vs. the Nikon.https://blog.kasson.com/nikon-z6-7/nikon-50-1-8-s-otus-55-on-z7-zony-55-on-a7riii/. @io_bg.... exactly..... the Fuji lens is almost equivalent and not as good and the same price. Anyone taking low light shots at f/1.8 of their family should be satisfied with the performance. 50mm 1.8 lenses are like grill cheesed sandwiches of the camera world. Things got really stupid, briefly, when Hasselblad tried to trick everyone dressing up a Sony APS-C body in their clothing and charging premium. This doesn't have much to do with Otus. Anytime there is an article about any competing brand the usual suspects come out to trash it in the usual ways, and at the same time promote Sony. DPReview TV: Nikon Z7 Hands-On First Impressions (In Seattle! Seems like a good deal. Tamron AF 24-135mm f/3.5-5.6 SP AD Aspherical (IF) I'm looking to unload my 50mm f1.4 and 135mm f1.8 soon as I don't want to deal with such oversized glass. The Sony definitely isn't sharper, either. It doesn’t have great bokeh! The Z6 is my new privat camera and the only reason i'm here :-) I had the Z6 and the A7III for three weeks and went with the Z6. We spoke with her about how the COVID-19 lockdown shaped the final edit of the book, why it was important to handle all aspects of the design herself and what she’s learned about women after 50 years of photographing them. (IF) XR macro David Bo is the designated Sony rep for this thread. ...it's like day and night! Japan Camera Hunter recently visited the Nikon Museum at Nikon's headquarters in Tokyo. It could be half the size it is and be just as good. glad i bought this camera. Tamron AF 90mm f/2.8 SP Di macro This picture gallery is pretty fantastic. Keep it up, and good work! Manage and improve your online marketing. I am glad you admit you were wrong to jump to a conclusion regarding the 35 based on a mistake made by DPR staff. The only physical switch on the barrel of the Z 50mm F1.8 is for manual / automatic focus. The Z 50mm is too big and too expensive for mirrorless. To be serious. To stay on the lower cost side I would go with the 50/1.8 G with the same sharpness in the center and very smooth background. My Nikon F lens are very very happy with this! The Nikon Z 50mm F1.8 is one of three lenses to launch with the Z system, and though we've only been shooting with it a short time, it's quickly becoming a staff favorite. But the f1.8G's bokeh is nice, not great. The most eye-catching is a 58mm F0.95 'Noct' lens and, naturally, standard focal lengths such as an 85mm F1.8, 24-70mm F2.8 and 70-200mm F2.8 will be appearing in due course, as well. What was, and still, missing? Whatever your views on the price, weight, or bokeh, it is none the less impressive.To me, who has both the choice of either Sigma's 50mm 1.4 Art (with it's bulk and iffy auto focus wide open on my example on a D850) or my manual focus 55mm 2.8 Micro-Nikkor, both of which can provide stunning shots, this lens ticks a hell of a lot of boxes. Please make sure to check out our in-depth reviews for a much more detailed discussion of each lens. Yes, at least my 35 1.4 is impressively sharp as well wide open, though I admit I don’t pay special attention to the corners.Find it an awesome lens. Jim, DPR and other unbiased reviews found the Nikon to be a far superior lens. Btw, this lens is $598 on Amazon, still nowhere near $100. And I say that as an owner of several Nikon DSLRs. It's a 50mm 1.8 lens optimized for max sharpness. But it never happened. its something different from anything else i had. @pro photo 2011 You are incorrect. That is near impossible to fix, and ruins pictures. actually you are not a real person, and you are constantly posting false information about sony. Tokina AF 17-35mm f/4 AT-X Pro FX, 1 Nikkor VR 10-30mm f/3.5-5.6 Sigma 100-400mm f/5-6.3 DG HSM OS CONTEMPORARY, Sigma 150-600mm f/5-6.3 DG HSM OS CONTEMPORARY, Sigma AF 150mm f/2.8 EX DG HSM APO OS macro, Sigma AF 120-300mm f/2.8 APO EX HSM DG OS, Samyang 50mm T/1.5 AS UMC CINE DS (Samyang 50mm f/1.4 AS UMC), Samyang 135mm T/2.2 AS UMC CINE DS (Samyang 135mm f/2 AS UMC), Tamron AF 70-200mm f/2.8 SP LD Di [IF] macro. Nikon Z 50mm F1.8 SLength / Diameter: 76 x 86.5mmWeight: 415gUS$ 600, Nikon AF-S Nikkor 50mm f/1.8GLength / Diameter: 72 x 52,5 mmWeight: 185gUS$ 220. >in real life, there's no difference for sure. Featuring advanced coatings, almost twice the number of elements (including two aspherical and two ED) and three additional groups, the new prime is substantially more complex. Only a moron would spend $4000 for a camera and then pay $300 more to use the terrible AF system from the 2011 A33. the fe55 is also much lighter than the 50s, and sharper across the frame wide open, according to dpr. Are they talking about mirrorless standard or standard for nifty fifties in general? Barney, image 65 is a very beautiful photo - kudos. As all the unbiased reviewers have found, the $600 Nikon is superior to the $1000 Sony. 62000. Now I've got the 50mm f1.4G and 2 50mm f1.8Gs. the quality is insane. The drop in price comes at the cost of losing DRAM, but Samsung promises 'identical' performance to other DRAM-equipped SSDs thanks to the use of Host Memory Buffer. I never ever was in a sony threat to bash all sony users about everything that could be better than on my Z6. Getting closer to your subject and keeping the background as far as possible make bokeh better with any lens... i just bought the Z7 yesterday along with the 24-70 f4 and adapter. The S lens is very sharp all over the full frame. Nothing like having to remove a lens in the middle of a shot. Yes, the zoom is obviously larger and heavier but it's also much more versatile - and as fast for all practical purposes. Bokeh so good DPR says this lens is "not good for" portraiture. The Z6 is my new privat camera and the only reason i'm here :-) I had the Z6 and the A7III for three weeks and went with the Z6. Anyway, competition is good and Jim Kasson works is very appreciated but can be very deceptive in the hands of fanboys and trolls here (not saying you are one)...Overall good work Nikon. Following confirmation last week that it was working on a professional mirrorless Z-series camera, Nikon has officially announced the development of the Z9. 62000. Is it fully featured and fast enough to replace an Adobe-based editing workflow? Compared to its nominal F-mount equivalent, the Z 50mm F1.8 S is an obvious step up in terms of optical technology. So its not a bad idea to go (private) with nikon who has no video pro linup to protect, @ Sony video lens:I shoot a lot with the FS7 and use only my canon L glas for it ...and that has a reason :D. I tried a Sigma 100-400 on both, and C-AF was a complete fail with the Sony.

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