在混亂又張牙舞爪的粗黑線條中,一張張的臉孔佔據了整個空間,感覺很擁擠。站在門看進去就會被這一種強大、多人、混亂的氣場所震攝住 …
Steve McCurry made his name in the 80s with the iconic Afghan Girl. One of the most recognisable photos in 20th century, Afghan Girl as a photographic portrait has achieved a memorable status equivalent to Vermeer’s Girl with Pearl Earring within the portrait genre. From September 23-November 8, Steve McCurry is collaborating with Lavazza, the Italian coffee company, to show 62 …
If you have visited The Infinite Nothing, you would probably notice that the whole exhibition space is composed by a number of audio/visual equipment. One of the daily duties of us as an exhibition attendant is to communicate with the technical supporting team in Hong Kong whenever there is a problem with the AV system, and try to fix it with their help and instructions. Afterwards, we would also need to write a tech log to record all the details and process.
威尼斯處處可見的歐洲鑰匙,是香港商場櫥窗裡所展示的商品或裝飾品。但在這裡,它能充分發揮鑰匙的功能。而且,我會覺得它還是有性格的鑰匙。是需要有技巧且用心用力,才能用它打開那道守護著重要東西的門。就以我們展場裡的其中一道門為例吧 …
精神分析學派創始人弗洛伊德(Sigmund Freud)曾在其1901年的著作《日常生活之精神病學》中說過, 潛意識是自己意識上不能知道的東西,只能透過一些行為上的失誤旁側敲擊來獲得,這也是人們說的「弗洛伊德式錯誤」(Freudian slip)…「Slip of the Tongue」 就是由50多個勇於「出賣」自己的人,一起聯手展出他們的齷齪慾望、零碎記憶和壓抑情感。他們的作品就如潛意識般,沒有邏輯地隨意置放在博物館的每一個角落。
剛到威尼斯時是處於一種混沌驚嘆的狀態:我身處的就是模糊記憶書本上的歐洲,義大利,威尼斯!?現在我就活活的身處在記憶模糊,概念缺乏的歐洲!?腦海就如盤古初開時,一片灰朦朦的,什麼實體都還沒有形成。如此迷濛的新環境,語言變了,時間變了,習慣變了,文化變了……一切都讓人覺得很新鮮,但一時的衝擊令我像患上失語症一樣。
來到威尼斯有一個多月的時間,可是不知為何仍然覺得這個城市陌生—這個古老的城市很小,大部分地方都可以走路到達,雖然頭幾天蜿蜒的路、建築和橋足以令人迷路半天,但生活了兩個禮拜左右,就幾乎不用看地圖都知道怎走了。
我對小城的印象多由許多小事拼湊而成…